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Belief and Philosophy Divorce Reading & Writing Self-help Woman. Warrior. Writer.

BREAK: Reasons for Women to Write Their Divorce Story

Women are storytellers and consciously or unconsciously constantly use stories to communicate. We navigate life telling, remembering, and listening to stories. The key is to be conscious and to honor this powerful ability within ourselves. For how many thousands of years have women told stories to children before they sleep, or used stories to explain a moral rule or household habit? We know the stories of our community, and we are often entrusted, whether we like it or not, to be the holder of family secrets. We find it easy to contain and hold and tell the stories of those we know and love. More complicated, for reasons that I will explore in the coming pages, is putting ourselves both literally and metaphorically as the central protagonist in our own grand story called Life. When we center ourselves as characters in our story, the one that we live and write, we validate ourselves. Writing our story, what happened and what we felt about what happened, is one of the most powerful ways that women can define, heal, and reckon with ourselves.

A divorce story forces us to center ourselves within the context of our own life. Willingly or unwillingly, we as women have frequently been assigned roles that have translated into prioritizing others needs before our own. By default and extension, we become reluctant to claim a space for ourselves, and in turn, the best we can often muster up, is to claim a segment of others’ stories for our own. While any story has many characters, we can do this to the point where we forget our story, downplay our role in others’ stories, deprive another of their own story to live to satisfy the absence of our own story, and most tragically, and all too common, think that we never had a story, or that our story was secondary to another’s because such a person received more external validation in terms of money or status.

Women are almost always rewarded for compliance, for putting others first every step of their lives and are bestowed praise for living the accepted narrative of a helpmate to everyone within a world governed by men. Our names change upon marriage. We are not on stage; we are Stage Mothers. Our salaries our lower. Our hours are longer. We are the stop gap go-to person for when all systems fail, when a family’s in crisis, a car malfunctions, a child is sick, or when someone is laid off. Everyone turns to us for caregiving. The status quo rewards us for making our story shorter, for functioning solely as a prelude to the stories labeled more significant, even if they are the stories of our loved ones. We almost always define ourselves in relation to another person and if we fail to do this according to an imagined bar of sacrifice and service, we feel poorly about ourselves or others judge as inferior or lesser. There is a huge difference between living a story that exemplifies love, loyalty, and kindness, and being measured as worthy because of what compromises one has made to exist in a relationship with another. 

Divorce is often the first time we may consider the real depth of our individuality. We may have always told the story of our marriages, relationships, romance, and families with the royal plural “We” as opposed to the humble first person “I”. This is how writing a divorce story can empower: if we were firmly entrenched in the “we” of being a couple, becoming the main character of the story is a shock to the system! There are a minimum of three stories in every marriage. The “I” story of each individual and the the “We” story they mutually narrate about their coupledom. It is vitally important to state that our lives do not exist in a vacuum, and that we are deeply affected and directed by the culture of our time. 

Once we recount the story of what happened in our marriage and what we felt about what happened, we can boldly claim space in a new arena. The story of a public life almost always sets the man’s story as first, the woman’s story as secondary. As women, the divorce story we share with honesty, is the story of the marriage wholly from our personal perspective. Know that writing this personal story solely from our own hearts is not an act of selfishness, but an act of personal volition. It is saying to the world: My story is worth telling because I have value. 

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Belief and Philosophy Blog Break Divorce Self-help Woman. Warrior. Writer.

BREAK: Learning to say NO

I think the most important lesson I acquired from my divorce was learning to say NO.

NO, I do not want to be respected in this way. NO, I do not have to accommodate this decision. NO, I will not do this to placate. NO, I do not want to make up for your feelings. NO, I am too tired to be cheerful. NO, I do not feel like smiling now–in particular, upon demand. NO, I do not want to make small talk with people who are unpleasant. NO, I do not enjoy watching people get fall down drunk. Sorry that bores me. NO, I am not going there because everyone else is going. NO, I am not going to that place either. NO, I don’t want to watch that show. NO, I do not want to pretend, ever again, that I am enjoying myself when I do not. NO, I am not staging anything in order for another to appear better. NO, NO, NO.

One can say NO, THANK YOU, if you feel so inclined to soften the NO, which, coming from most women, is usually met with some resistance.

Saying NO allows one to say YES.

  • YES, I want to live authentically.
  • YES, I make mistakes and I am OK in life.
  • YES, I can experience joy.
  • YES, I have boundaries.
  • YES, I am here to be who I am.
  • YES. YES. YES.

What I noted was that I had to get comfortable saying NO before I could get to YES. For some, saying YES first and frequently, squeezes out the NO, so it makes NO a bit easier to say. Best to figure out what works for you. I believe that YES proved to be more confusing to me because women are taught to accommodate and say YES at their own expense, so I had to get comfortable saying NO.

Say NO to say YES. Figure out how many times you say YES when you really mean NO. If you start thinking about it and realize you never wanted to say YES to begin with, but felt pressured to do so, you need to think about why and how and with what frequency you say YES. It’s one thing to say YES if it’s a rather small ask. It’s another thing if saying YES chafes against your personal beliefs or narratives.

BREAK: Write Your Divorce Workshop will be held on November 14 SUNDAY 7-9AM (HST). Learn about how YES and NO affect the story you tell yourself about your divorce. This workshop will give you the tools that you need to write your story for your legal/personal file.

 

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Belief and Philosophy Break Divorce Reading & Writing Self-help Woman. Warrior. Writer.

BREAK: Divorce and Voice

When writers, readers, and critics speak of a writer’s voice they are referencing the writer’s chosen words that reveal the writer’s self, how she perceives and moves in the world. Voice is the writer’s soul and spirit, and how the writer brings this to the page is the writer’s voice. Being honest to our voice, to who we are, is the key task in the writing of a story, and our life’s most significant mission. If we cannot be who we are, then who shall we be?

When we refer to a writer’s voice, most telling and daunting is that there exists a distinctly proscribed way of conveying written text codified by primarily male writers. It has been this way for centuries. It will continue to be this way. In the process of trying to convey our story, we quiet or even lose our voice because we are fearful. We strive to appease or appeal to people who judge us according to an unknown or mysterious standard that often, we can never achieve as it is rather subjective. And yet, it is imperative that we persevere and risk writing who we are as otherwise, our voice is silent, and if ours, then many other women who are out there too. When we are courageous about our voice, we pave the way for dozens of others to follow suit.

We must have faith in the story. Believe in our right to write. While writing is a learned skill, the ability to reveal who we are is directly correlated to our willingness to be vulnerable on the page. Our words are meaningful because our story matters. The voice that we summon is one that acknowledges our full self. This voice is the beautiful, courageous, resilient, complete self who has declared her right to live as a one who wants to set the terms of her own life.

Whoever controls the text controls the story. A delivery through the medium of writing often prompts a different reaction because texts impart a permanence. Words on a page compel an undeniable respect. Every major cultural, religious, legal, and creative institution’s laws and customs are upheld, reinforced, and codified by text. Someone writes the text; another person interprets this text; yet another person writes a story based on this interpretation. We are readers of a story several layers away from the primary text. Imagine what remains and what changes. Given this truth, it’s important to throw your own voice into this layered chorus and write with everything you are. You are your voice. Write your truth to power.

 We may feel inhibited about the physical act of putting words down on a page. An easy solution is to simply pretend that we are speaking to someone: talk to the page! For accuracy, we record our voice with a phone or device, and transcribe the spoken words. Edit for clarity. Speaking and writing use different parts of our brain, but know that communication is linked, writing inhibition is real, and however we get our words onto the page will be fine. The vast majority of the globe’s illiterate are women, but our wisdom transcends what is written; this is how we have survived through the millennia. Know that through the power of our oral storytelling we write a story on the page—for those of us who cannot write we put our words down on paper. We do this by recording our story.

A woman’s voice is often considered dangerous. How often are women accused of being shrill? The numerous complaints about a woman’s voice—her accent, her tone, her articulation are familiar to anyone follows the commentary about women in the public spotlight. There are no end of complaints about the actual pitch of a woman’s voice, but what most dig at is a particular woman’s willingness to use her voice in an arena that women rarely participate in.

Breaking silence is looked upon as disruptive and to break the silence about our marriage, enshrined across the globe as an institution to maintain stability within a system of patriarchy, is considered at best poor taste, and at worst, a display worthy of public condemnation. Marriage is considered private. Personal. And it is. But to dismantle a marriage through divorce requires outside documentation (just as marriage did), and to write the details of this break-up potentially place women in the position of being seen as dangerous. We may or may not be the very first woman in our family to divorce, but it is highly likely that we are the first woman who records the reasons for the divorce. It is inconvenient, if not unpleasant for most people to be presented with anything that disrupts the norm. The truth is the details that prompted your divorce are unimportant to most, but they are important to you, and therefore worth writing.

You may be quiet, someone who is reluctant to expose your private happenings to anyone, but you have a right to exercise the use of your voice. There is no reason for your silence.

Write your divorce story. Discuss the inclusion of your divorce story in your legal file.

Write your story. Change your mind. Author your life.

 

 

Categories
Belief and Philosophy Blog Hawai'i Health Self-help

Hawai’i: Friendship

I spent the ages of 13-17 in boarding school at Phillips Academy Andover. I say now that the only time I wasn’t competing was when I was sleeping. Andover was about performance, excellence, and achievement within the very specific parameters of the East Coast establishment.

In retrospect my journey in life has been highly influenced by the relatively short amount of time I attended that school. I lost touch with almost everyone I knew from that time, and as the years passed came to wonder if I had imagined the friendships I had cultivated there.

In the end, I concluded that the majority of the ways that we were taught to behave were in fact oppositional to how one cultivates friendship and compassion, and the relationships were primarily utilitarian. Adolescence is a difficult time, never mind if you are thrown into an environment that focuses on your believed potential. I deeply appreciated learning the profound lessons of literary analysis, and yes, the testing of one’s abilities is part of growing up.

But true friendship is rarely made of this stuff. It’s about kindness, support, and tolerance. It’s about the joys and foibles of a human relationship. Compassion. Foibles. Joys. Forgiveness. Connection of the spirit and heart. I would like to say that I developed a host of friendships from Andover, but truly, I did not. I’d say I had hundreds of acquaintances, some very close, but could rarely be myself, although what teen is herself? That’s the nature of being a teen! Figuring it out! I will say that if a true friendship was developed and survived from that time, it is likely to be real. Like many private institutions for the elite, it functioned as a place of networking.

For years in my adult life I avoided anyone having to do with the school. I questioned if I had anything in common with them, politically, emotionally, or socially. It was designed to be an environment of handpicked children who were anointed by the Admissions Office Gods as young leaders in the making. After I left, I didn’t feel I was leading in anything. Where was I supposed to lead someone? Why me? Who is leading? Can’t I follow? I’m tired! Where are we heading? This leading stuff is very not mellow! she said…in cowardice? With anxiety? When I did bother to check in on what was going on with most of the people, I noted how many of them continued to compete, and behave in a manner I deeply questioned for reasons of ethics and kindness.

 

During COVID I reconnected with my old dormmate and friend Catherine Cotins. We had seen each other once over a decade ago when I was in Boston for a conference, having found each other again on social media. We had lost touch since high school graduation and had gone on our separate paths, navigating our way through school, children, illness, deaths, work, marriage, divorce, and the long river of life with everything that it throws your way.

A few months ago Cathy Cotins came to Hawai’i. We talked, hiked, laughed, and went out stand-up paddleboarding and got tired shoulders. I met her son and she met mine. She went to dinner with mom and dad after all that time. Her son was older than she was when she had last seen my parents. She had spent the summer after senior year with my family while we toiled in my dad’s lab injecting rats with diseases (more on that later…I know how to swiftly break a rat’s neck, but uh, haven’t used that dubious skill ever since. Any science interest either one of us remotely had was dead by the end of that summer!). We couldn’t stop talking and sharing. What was both meaningful, reassuring, and exciting about meeting up with each other was knowing that I did have a true friend who knew who I was so long ago, and here we are, decades later, and we still have this connection.

 

She gave me this little book I Like You by Sandol Stoddard Warburg, illustrated by Jacqueline Chwast about friendship and inscribed these words: “…I hope we can always stay friends. We’re so different so much the same, and good compliments to each other all at the same time. We may not do that much together, but when we do something, it’s always so much fun no matter how small…The world isn’t such a bad place with friends like you in it.”

Andover was hard on both of us, an experience we wanted to forget for our own individual reasons. I’m so glad we are friends again and know I will know her the rest of my life. This is a fantastic feeling.

Cathy texted me after she returned, both of us so happy to have reconnected and said this about seeing each other, especially in the context of that hard time during school and what it did: I feel less broken.

That’s what a good friendship does—it heals and opens you through connection. It changes the future and present as it changes the memories of a place and time. By reconnecting again, the ending changed, and in this way, everything else ripples back and forth and flows with a different sense of meaning. We get better through knowing and sharing with other people. We need people to cheer us on in life, to empathize and to be compassionate with us. This friendship makes me so very happy. She’s thousands of miles away, but there are few people in life who get who you are and to know someone does! What a great feeling! I feel honored to call Cathy my friend!

This is all to say that yes, get in touch with that person you once knew, because there is a good chance that what you will find out is that you did know each other, you were friends, and that can make all the difference as you journey on discovering who you are. Because the way that someone knows you, if the person really knows you, is probably important and a reminder of possibility and dreams. You are there for each other. Connect. Reconnect. Friendship.

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Belief and Philosophy Blog Divorce Passing in the Middle Kingdom Poetry Reading & Writing

Passing in the Middle Kingdom: The Forgetting

I have posted this poem The Forgetting elsewhere. It’s never been published by a journal. It is one of the most significant poems that I have written and I stand by it as a piece of writing. It came to me quickly.

I was at the Hong Kong ferry pier

and had a pencil and a wrinkled piece of paper in my bag. I stopped and wrote it down leaning against a steel column breathing in diesel. I was angry, bitter, upset. I don’t like to focus on how a type of creative energy works because I believe craft is important, but I admit here that the words came to me as if I was in a trance. Sometimes, you open your body up and the words tumble out. As I’ve written elsewhere, this is a strange feeling because for me, I write poetry when I have too many feelings and cannot express or name a particular emotion. It would be fair to say there’s always an idea of madness, blood, and a strange churning of the self when poems like this come to me. When you write in these moments you are not present. You come back when you edit. This poem is nearly in its original form. About three years ago, I was given some solid advice about editing and writing and the suggestion to cut the poem in half. I could not. Doing so would lose the frenzied pace of it, the instability.

Fairly obvious, but this reflected the miserable dynamic of my marriage and an attempt at escape.

New York and 57th street

The 57th street reference: a college boyfriend. Charlie committed suicide by jumping from his mother’s penthouse and died in his early 20s. I did not find out about this until years after he had jumped. I also used him, in some ways, as a model for a story from Swimming in Hong Kong that appeared in Cha Online Literary Journal Nantucket’s Laundry, 1985. This was the last story that was published from the collection. Charlie was terribly depressed, on the verge of alcoholism, completely and dangerously unstable. I learned later that he had his face completely reconstructed because he was beaten up so badly. In my memory he is young and handsome, but I also remember, due to depression, he had an eerily elderly quality to him. He had sent me a postcard from Taiwan–that was the last I had heard from him prior to learning of his death. I found the postcard, I believe around the time I wrote the poem, which is probably how this side story of the main story of my marriage made its way into the text…

 

The Forgetting

 

I descend, my body splits, and I roar to recover

quickly, urgently,

before wounds break, blood pours,

and I ravage pills of memory.

 

This body wove from man to man,

fucked and begged on hotel room floors,

bore a child and raged in a fire

as my feet burned across the continents.

 

I am called across the ocean to sands and palms,

pools that lap forests breathe hot nights on my neck.

Weepy drugs feed this cloying beast.

Wicked songs to memory and heart.

I drink your eye in a dark bar of money,

choking rage of forgetting and longing

cheating time like diamonds in a room of amputated arms.

 

In this land I join the cockroach dance,

survive the holocaust of malls

lured by spas and women on their knees.

There are ways of knowing—

an arm, a breast, an ankle acting the role of thief.

Fingers tap screens of pornographic screams,

but deadened nerves feel no skin.

I drink bitterness pressing buttons,

dropping clothes, closing doors.

An early death, a godless benediction of madness,

for this wild, I surrender all.

I forget to remember,

tongue acid rain,

lost in watery promises of the dark.

Six white hairs, a dozen soon.

Age and beauty,

orchestrated by gods gambling geography games.

 

Rising like a beast of present perfect:

A face smashed by thugs.

A body sprawled on 57th street.

Penthouse jumps are things of youth.

Suicides and lovers, friends ‘til we part,

the stuff of life lived to the bone.

I clock love and lines by years,

smells of wet nylon and stale beer,

taxi clangs of sorry lies.

A marriage scraped from the bottom of a glass,

gathered to divide, until air becomes

what I long to breathe,

joy a regret unknown.

Freedom calls. Sorrow creeps to sky.

The penury of age a certain misery.

Abandonment defies what we know as beauty,

yet to this green I leave my shell,

crawl before gods in forgiveness,

hell in my heart,

knowing the madness of it all.

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Blog Divorce Reading & Writing Self-help Teachers Woman Warrior

Woman. Warrior. Writer. Deesha Philyaw

It’s time for our WOMAN WARRIOR tribute post, done in the spirit of Maxine Hong Kingston. I hope that by presenting women writers, creators, and leaders here, that we can learn, better our own lives, and change our communities.

Today’s WOMAN WARRIOR is award winning author of short story collection, THE SECRET LIVES OF CHUCH LADIES.

Please meet Deesha Philyaw 👩🏿📚

@deeshaphilyaw’s debut short story collection, The Secret Lives of Church Ladies, won the 2021 PEN/Faulkner Award for Fiction, the 2020/2021 Story Prize, and the 2020 LA Times Book Prize: The Art Seidenbaum Award for First Fiction and was a finalist for the 2020 National Book Award for Fiction. The collection focuses on Black women, sex, and the Black church, and is being adapted for television by HBOMax with Tessa Thompson executive producing. Learn more at: https://lnkd.in/grpcGGW

✨ How did you come to author your own life? ✨

“Growing up, my dream life was a standard American dream life: Go to college, get married, have kids, have professional success. In 2005, I was a 34-year-old stay-at-home mom on the brink of divorce, trying to figure out how I would make a living as a writer. That same year, my mother, my father, and my grandmother (who helped raise me) all died. Watching my mother die of cancer at age 52 gave me a sense of urgency about my writing, as well as permission to write how and what I want, and to live how I want, unapologetically.”

➡️ Visit https://lnkd.in/grpcGGW to learn more about this incredibly talented woman, warrior and writer.

And if you want to read and learn from–and maybe even meet–writers like this, please register for classes at drstephaniehan.com

~empowering women through narrative~